![]() But Packouz throws his whole lot in with Diveroli, joining his fledgling gun-running business and quickly making a fortune trawling for arms on the internet and shipping them to American soldiers. Most people would steer clear of this sort of person, especially one whose fashion sense seems heavily indebted to Al Pacino in Scarface, but with more Hebrew medallions. Stuck in a dead-end job as a masseuse, he reunites with his high-school buddy Diveroli (Jonah Hill), a glass-eyed lunatic who almost immediately pulls a submachine gun from the trunk of his car and fires it into the air, emitting a demented laugh that sounds like air escaping a balloon. Packouz, as played by Miles Teller, is a harmless mope, a hardworking grunt who just wants to provide for his pregnant girlfriend Iz (Ana de Armas). Well, that’s one of the problems, at least. Trolls Aren’t Like the Rest of Us Arthur C. But there’s one big problem: It seems to think its despicable protagonists are worth rooting for. Phillips’s film has a chance to satirize a heartlessly corrupt era in American military policy, one that led to the rise of morons like Diveroli and Packouz-to be The Big Short with bullets, if you will. military and its allies, and eventually getting busted for trying to repackage substandard Chinese bullets for use by Afghan soldiers. In the endless Middle East quagmire that followed the Iraq War, Diveroli and Packouz were venal opportunists, cutting corners to supply arms to the U.S. The movie is based on the true story of Efraim Diveroli and David Packouz, two small-time arms dealers who conned their way into a $298 million contract from the Pentagon and were eventually convicted of fraud. For every act break, the film cuts to black and flashes a line of text on screen, something provocative like “If I wanted you dead, you’d be dead already,” or, “That sounds illegal.” Then, a few minutes later, someone will say that very line, and you can almost smell the self-satisfaction wafting from the screen. ![]() Maybe the only thing you need to hear about War Dogs, Todd Phillips’s aggressive new comedy about two Miami stoners who became gun-runners and Iraq War profiteers, is the supreme lameness of its intertitles.
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